That line is from album standout "Good," a 6-minute song that recalls the unpredictability of 2008 Visiter's "Joe's Waltz," a song with two distinct halves. While "Good" is a bit more polished, I think that its similarity to that song speaks for the entire album's style: it is a return to the form of Visiter but with more sheen and editing. While the Dodos uncut are probably the best kind of Dodos, this actually works in the album's favor. The songs overall are much more concise than those on the band's three previous albums, but they also manage not to lose steam and are just great all the way through. "Sleep" is under 4 minutes long, nearly unheard of from the Dodos, but with its catchy chorus and featured spot from Neko Case, who also sings on "Good" and, amongst others, "Don't Try and Hide It," another highlight, the song quickly becomes one of the most memorable album.
"I cannot sleep/I cannot think/I cannot dream," sings Meric Long on "Sleep;" those lines speak well for the album, which is at first hyperactive and then, almost abruptly, sleepy and more introspective. Opener "Black Night" is raucous; 5 tracks later we have the decidedly hush "When Will You Go," which features Long's falsetto and has been bandied by critics as a highlight. The song reminds one more of Time to Die with its obvious production sheen but imbues it with the same spirit that embodies "Black Night."
The more mellow latter half of the album is not as immediately enticing, but the songs alternate between beautiful and interesting. While you'll love "Sleep" from the first play, a song like "When Will You Go" will command more listening time if only so you can discover its intricacies and attractive spots that are less readily enticing.
A song that is a personal favorite and reminds one of debut Beware of the Maniacs is "Hunting Season," which sounds bound for commercial or indie movie inclusion. Little oddities like this really show the band's ability to combine their intense percussion of old with their electric guitars and normalcy of late. It has its feet planted firmly in both camps, and the combination is interesting if subtle. It probably won't stand out for other people as much as it does for this reviewer, but the Maniacs vibe is much appreciated in a world that seems to think the band started with Visiter.
"Companions" is a real grower but ends up being a stand-out track. The classical-sounding guitar in the beginning really makes the song, which sounds laden with reverb and other production effects that you wouldn't really hear on their first two albums. It's the most interesting track on the album, stylistically; it sounds quite unlike anything else the band has done before. It's an experimental sort of song that really pays off and shows off the band's talent and versatility.
Overall, No Color combines the best of the band's previous albums to make a holistic, interesting, and engaging package that you will want to listen to again and again. Unlike Time to Die, it's not at all a disappoint. The Dodos still have plenty of color, and they are both "on" and "good.
No Color gets 4 and a half Neko Case guest vocals out of 5.
Download: "Good" (It's an .m4a so be prepared for that)
Also check out: "Sleep," "Black Night," "Companions"
Buy No Color here.
P.S. Sorry this review was suckish but I'm tired. The Dodos deserve better than this. Please check them out.
P.P.S. also lawl I really love "Good." The past two post titles have come from it. It's awesome.
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